It’s formal, the individuals of Tweets and Facebook or myspace, the individuals of the Online, really like Beyoncé.
A primary need for a halftime entertainer at the Incredibly Dish is indestructibility. Too much is on the line for anything but. The halftime display is time-constrained, extremely choreographed and accountable for maintaining many individuals around the world interested between competitive jolts of soccer and costly jolts of advertisements. It is a display, but more important, it is the adhesive that maintains the evening together, the short cash that keeps the long cash streaming.
She is, though, up to the task — in this situation, the dilemma of how to create her Extremely Dish XLVII halftime display, which she had been preparing for several weeks, not only a scene in its own right, but also a summary to the unpleasant event.
Beyoncé’s image-restoration strategy actually started times before the experience. On Instagram and Tumblr, she published images of informal minutes between what were certainly intense rehearsals, such as one in which she used a sweatshirt that study “Can I live?” On Friday, she divebombed into her formal information meeting with a sterling version of the nationwide anthem, for which she created the gathered correspondents and photography lovers take a position at interest and which she determined with the primo dirt-off-her-shoulder taunt, “Any questions?” (Maybe just one. Regarding the inauguration, one fearless, or comedian, reporter requested, “Did any audio come out of your oral cords?”)